{"id":2674,"date":"2025-06-24T10:34:40","date_gmt":"2025-06-24T17:34:40","guid":{"rendered":"http:\/\/www.seekyourlove.com\/?p=2674"},"modified":"2025-06-24T10:34:40","modified_gmt":"2025-06-24T17:34:40","slug":"the-row-spring-2026-mens-and-ready-to-wear-collection-review","status":"publish","type":"post","link":"https:\/\/www.seekyourlove.com\/?p=2674","title":{"rendered":"The Row Spring 2026 Men&#8217;s and Ready to Wear Collection Review"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn a time where the boundaries between the intimate sphere and the social media-driven public gaze feel blurrier than ever, The Row mined that territory to great effect in its coed spring collection.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLived-in intimates and garments usually worn at home were the foundation layer of the season.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOf course, The Row being The Row, there was nothing shapeless about the long-sleeved T-shirts and knee-length pants in lightweight ribbed slub jersey, or a nearly sheer slip skirt with a linen front and silk back.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile Ashley and Mary-Kate Olsen made them eminently fit to be seen, they could just as easily be layered under the relaxed tailoring of the season. With cuts a tad more oversized and, dare we say, slouchy than in previous seasons, a modern athletic twist emerged from the lineup.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tConstructions and textures had the in-depth minutiae that is par for the course in the powerhouse Ashley and Mary-Kate Olsen built. To wit, an ash brown suit cut from silk canvas held the fine line between tailored precision and a liquid feel on the skin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat same impression of polished breeziness emerged from tailored separates cut from parachute silk, where trouser hems were pulled closer to the ankle with a discreet pleat and stitch.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther standouts included men\u2019s shirts with detachable collars, playing on the boundary between formal and not; a little black dress with a simple apron front and a dramatic cowl neck at the back; pencil skirts with hook closures running up from the hem to make them less constricting; and whisper-soft cashmere sweaters.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlthough the spring season continued the at-home feel at play in the brand\u2019s fall offering, there was also the sense of being ready to nip out at any time for the right occasion.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA dash of options that skewed toward the evening, at home or elsewhere, was also on display in the lofty rooms of their Paris headquarters.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA substantial coat in a changeant velvet that was produced on a machine dating back from the 1950s \u2014 not that one needed to know that to appreciate its lushness \u2014 was juxtaposed with silk shantung pajama sets and a long quilted jacket. Double-silk slipdresses, some with whisper-thin lace running along the neckline, had satisfying heft.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAccessories did not disappoint, with sandals that felt barely there but had just enough padding in the bed to make them a comfortably chic option, or a cohort of pouches in buttery napa leather. There also were more high-heeled shoes for women, a further expansion of the brand\u2019s extensive footwear offering.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRounding out a collection that reiterated The Row\u2019s position as a brand fueled by superlative crafts was a bag made of woven leather hand-tooled to achieve a raffia-like look, among the highlights of the room dedicated to its expansive purse offering.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In a time where the boundaries between the intimate sphere and the social media-driven public gaze feel blurrier than ever, The Row mined that territory to great effect in its coed spring collection. Lived-in intimates and garments usually worn at home were the foundation layer of the season. Of course, The Row being The Row, there was nothing shapeless about the long-sleeved T-shirts and knee-length pants in lightweight ribbed slub jersey, or a nearly sheer slip skirt with a linen front and silk back. While Ashley and Mary-Kate Olsen made them eminently fit to be seen, they could just as easily be layered under the relaxed tailoring of the season. With cuts a tad more oversized and, dare we say, slouchy than in previous seasons, a modern athletic twist emerged from the lineup. Constructions and textures had the in-depth minutiae that is par for the course in the powerhouse Ashley and Mary-Kate Olsen built. To wit, an ash brown suit cut from silk canvas held the fine line between tailored precision and a liquid feel on the skin. That same impression of polished breeziness emerged from tailored separates cut from parachute silk, where trouser hems were pulled closer to the ankle with a discreet pleat and stitch. Other standouts included men\u2019s shirts with detachable collars, playing on the boundary between formal and not; a little black dress with a simple apron front and a dramatic cowl neck at the back; pencil skirts with hook closures running up from the hem to make them less constricting; and whisper-soft cashmere sweaters. Although the spring season continued the at-home feel at play in the brand\u2019s fall offering, there was also the sense of being ready to nip out at any time for the right occasion. A dash of options that skewed toward the evening, at home or elsewhere, was also on display in the lofty rooms of their Paris headquarters. A substantial coat in a changeant velvet that was produced on a machine dating back from the 1950s \u2014 not that one needed to know &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=\/wp\/v2\/posts\/2674"}],"collection":[{"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2674"}],"version-history":[{"count":0,"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=\/wp\/v2\/posts\/2674\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=\/wp\/v2\/media\/2675"}],"wp:attachment":[{"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.seekyourlove.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}